Commercial Analysis

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Archive for the ‘Soft Goods’ Category

“I Would Never Do That”

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This is yet another example of “evasion through hyperbole” – a phenomenon well documented on this blog. Succinctly, this commercial works precisely because it conceals itself behind the premise that no – or at least few – men actually do such things (and therefore deserve to be laughed at, and therefore this is just harmless humor), and yet at the same time that very concealment allows the vast majority of men who actually do such things (albeit not so blatantly) to think that they don’t.

Obviously this man is taking advantage of that woman. He is gaining something from her (higher esteeem for him) that he doesn’t deserve (because isn’t actually the one doing the chore of picking out the furniture). The appeal of the commercial is the rationalization: “Well I don’t to that, so therefore I don’t do anything like that. That isn’t what my relationship is based upon.”

Communism/socialism is the doctrine that all people are entitled to an equal (or at least adequate) share of a nation’s wealth, regardless of the degree of their contribution to the creation of that wealth. In practice, because it ignores basic economic principles, this doctrine results in dictatorship – which means that the only things which are ever actually “equalized” are the various petty details of one’s life (what kind of light bulb he can purchase, how many viewpoints he is allowed to be exposed to, what kind of haircut he can have). As Western culture continues to become more communist/socialist, Westerners – correctly – sense that their individuality is being threatened. The result is an emotion-based rebellion. People begin to cling to anything and everything that is “theirs” – no matter how irrational and self-destructive – simply because they fear if they don’t, then they have surrendered the battle for their independence, identity, and freedom.

Women, for whatever reason, are especially prone to this type of existentialism – and therefore the key to romantic success with them is to flatter it (even if you think it is wrong). In other words: to gain her approval (by making her believe that she has yours) even though you don’t deserve it (because she doesn’t actually have yours). This is simply a more subtle – although pervasive – form of exactly the same thing that is dramatized in this commercial. It’s exactly the sort of thing that this commercial is intended to help the viewer evade (so that he will have a moment’s pleasant reprieve from the self-contempt he feels as a result of his willingness to be stupid, and therefore – hopefully, from Ikea’s perspective – think of Ikea the next time he feels that contempt as a result of yet again being fake).

Written by commercialanalysis

May 23, 2014 at 7:54 am

Evasion Through Hyperbole, Redux

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http://www.ispot.tv/ad/7IF5/old-dominion-freight-line-police-officer

These two commercials employ “evasion through hyperbole.” By dramatizing absurd, extremely unlikely scenarios, they allow people to evade something that’s actually occurring within the culture. Is it true that the government – and thus the police – are becoming more and more arbitrary and oppressive? Yes. Absolutely. Is it true that the business community is becoming more and more pretentious, and less and less truly productive? Again, yes. Absolutely (which would explain why America has incurred more debt within the last 15 years than it did in it’s first 220).

These things are so obvious that even the most oblivious, narrowly-focused person cannot help but have an inkling of them. As a result, they experience a certain amount of fear (because there are consequences) and guilt (because they are part of a “self-governing people”). These commercials provide such people with the following rationalizations: “This country couldn’t be headed towards a police state, because if it were then that is the kind of thing that would be happening. That isn’t happening, so I must be misinterpreting something. There must be another explanation for why the things which actually are happening – which I think are arbitrary and oppressive – are happening.” The other one allows the viewer to think “This country’s economy isn’t a ‘bubble’ built upon pretense and posturing – because if it were then things like that would be happening. They’re not, so I must be misinterpreting something. There must be another reason why I have that inkling.”

The effect of such subliminal messages are, not accidentally, a moment’s reprieve from such uncomfortable (but well-founded) feelings. That relief then registers in the memory of the viewer, so that the next time they appear (which these companies know they will – since they are responses to facts), the viewer will remember the experience of being relieved of them. They will then (hopefully) associate that experience with the particular company which provided it for them, think about how they happen to need help with moving, or shipping, or copying, or whatever – and then purchase the product or services being advertised (and from Old Dominion or FedEx in particular, since they “might as well”, since there’s really no significant qualitative difference between competing products and services).

Written by commercialanalysis

May 14, 2014 at 12:35 am

So Easy We Did It…

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The first commercial is representative of Minwax’ long-standing advertising style. They have, for at least a few years now, produced a number of commercials that are virtually identical to that one. If people think of Minwax commercials, it is commercials like it which they think of. The company knows this, so the second and third commercials are the brand’s most recent productions. These commercials are a (self) mockery of the earlier commercials. These commercials “explain” the pride which is shown in the earlier commercials by “revealing” that it is really a symptom of neurosis. By showing the people to be irrationally proud of their projects (which is what accosting complete strangers, and others who are clearly preoccupied, undoubtedly shows), Minwax is insinuating that there is no such thing as a rational pride in one’s work. By making fun of themselves – by now claiming that pride is something to be ashamed of – they are apologizing for claiming the opposite in their earlier commercials. They are letting everyone know that they’ve “seen the light”, so to speak.

Most of the today’s public is, at best, afraid of showing themselves to be innocent or genuine or proud in even the slightest degree (for fear of being labeled naive or pretentious or arrogant) – and at worst they are the cynical and nihilistic creatures who would make such accusations (creatures who hate the good for being the good). Because of this, Minwax cannot get it’s message to register with a wide enough audience by simply complimenting the innocent, genuine, and proud in people. Instead it must pander to the fearful and/or cynical within them, count on the fact that those emotions will be more frequently excited in today’s culture, hope that the experience of having those emotions touched (by viewing the recent commercials) will be intense enough to associate Minwax with experiencing them (the next time it happens), and in doing so remind the consumer about the product’s existence (should he also just so happen to be in the market for wood coatings).

Why would a brand of something as innocuous as wood coatings resort to such tactics? Why would they court disaster by pandering to the worst within people when, in the long run, it is the best within them that will be necessary to continue to desire to do something as straight-forward and innocent as home improvement projects? It is because in today’s semi-free, semi-controlled mixed economy there isn’t necessarily such a thing as “the long run.” When everyone’s economic interests are as much at the mercy of the whims of a relative few central planners – instead of the timeless, immutable laws of economics – all any company can do is decide to do whatever it can – no matter how dishonorable – to get as much as it can, as quick as it can. Such is the nature of today’s “capitalism.”

Written by commercialanalysis

March 29, 2014 at 11:09 am

A Light Bulb Moment?

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One of the most tragic things about living in a mixed economy is that when one observes any given economic event, one can never be sure what one is witnessing. Is the Cree LED light bulb truly a life-improving leap forward, or is it simply the direct or indirect result of government meddling in the economy? Obviously the answer to that question is highly complex (it would require first answering the technical question of which type of bulb is better – which itself is so highly contextual such a label as “better” is virtually meaningless – as well as researching deeply into things like the finances of Cree, Inc. and the backgrounds of it’s personnel), but that is besides the point. The point is that the average consumer, when he witnesses a commercial such as this one, should feel nothing but positive emotions (because, in vacuum, this is a flawless commercial) – and yet he may not (and with very good reason). Questions such as the one posed above, as well as the more general question of whether or not Cree is simply trying to pawn off an inferior product, on uncritical consumers, by taking advantage of the environmentalist movement will inevitably affect his reaction.

While economics, obviously, is not the only factor involved, it is small, seemingly innocuous experiences such as this one – which can occur in any context (economic or otherwise) – that are the reason anxiety and depression are at all time highs in American culture. When one doesn’t “use” one’s dopamine (ie: pushes it to it’s limit and beyond), one “loses it” (ie: it atrophies).

Written by commercialanalysis

February 18, 2014 at 6:51 am

Posted in Soft Goods